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  • image SM Adam volume 31/2

Reference number

SM Adam volume 31/2

Purpose

[16] Finished drawing for alterations to the west front of the quadrangle, 1784, unexecuted

Aspect

Elevation of a three-storey, twenty-one-bay building with a balustraded, hipped roof supporting a belvedere and rustication at the ground-storey level. The central three bays are projecting and form a triumphal arch, with a central, double-height, semi-circular-headed entrance set within a pedimented Tuscan portico. The portico has a frieze of fluting and rosettes and there are trophies set within the tympanum, with the pediment surmounted by reclining, draped figures. Behind this there is a Diocletian window flanked by festoons, and all this is flanked by raised, paired Corinthian columns. Above this there is a pedestal ornamented with figurative roundels flanked by truncated pilasters, with ram mask capitals and there is a frieze of anthemia and calyx. The pedestal is surmounted by statuary and the belvedere which contains a pedimented clock and oculi windows. The belvedere is ornamented with a band of swags and a frieze of Vitruvian scroll. At the ground-storey level the building has three-quarter-height windows and the building has stepped entrances in the third, eighth, fourteenth and nineteenth bays. At the first-storey level there are full-height windows, with a string course of guilloche and half-height windows in the upper register. Above this there is a frieze of fret. The building terminates in three-storey, three-bay, pedimented pavilions surmounted by statuary. The pavilions have raised Corinthian pilasters, friezes of fluting and rosettes, and rosettes flanked by foliage and feathers set within the tympana

Scale

bar scale of 1 3/8 inches to 10 feet

Inscribed

Sketch for altering the front of the West side of the Quadrangle designed and executed by Mr. Gibbs. / Extends 236 feet / No 10- (pencil)

Signed and dated

  • 1784
    Robt Adam Architect 1784.

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (866 x 513)

Hand

Possibly
Robert Adam

Verso

Kings College- / 2

Literature

Bolton, 1922, Volume II, pp. 173-79; Index, p. 6
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).