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  • image SM Adam volume 51/60

Reference number

SM Adam volume 51/60

Purpose

[9] Preliminary design for an arch and gateways, c1778, unexecuted

Aspect

Above- Elevation of a one-and-a-half-storey archway, flanked by entrance screens. The arch has a central Ionic screen, with a frieze of fluting and roundels, and the spandrels are ornamented by roundels. The screen is flanked by paired Tuscan(?) pilasters, with festoons and ox skulls above, and the arch is surmounted by recumbent stags. Beyond this there are niches containing urns, and double entrances flanked by pilasters supporting urns and chimney stacks. Beyond this there are wrought iron balustrades, with pilasters ornamented with swags and rosettes, and the pilasters are surmounted by recumbent sphinxes Below- Elevation of a Tuscan screen, with wrought iron balustrades, a frieze of swags, and terminating in pilasters ornamented in swags and rosettes, and surmounted by sphinxes. Beyond this there are further pilasters supporting urns, and ornamented with a band of drop calyx and arabesques

Scale

bar scale of 2 1/4 inches to 10 feet

Inscribed

Design for Lord William Gordon (in the hand of William Adam, underwritten in pencil) / 60 (modern curatorial hand, pencil)

Signed and dated

  • c1778
    c1778

Medium and dimensions

Pencil on laid paper (633 x 489)

Hand

Probably
Robert Adam, with title inscription in the hand of William Adam

Verso

2

Literature

Bolton, 1922, Volume II, Index, p. 45
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).