[8] Preliminary design for an arch and gatehouse, c1778, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Deputy Ranger's Lodge, Green Park, London, commissioned by Archibald Montgomerie, 11th Earl of Eglington, 1769, executed to a variant design, and for Lord William Gordon, 1778, unexecuted (10)
    - Preliminary designs and a finished drawing for an arch, gatehouses and entrance screens, c1778, unexecuted (3)

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Reference number

SM Adam volume 21/146

Purpose

[8] Preliminary design for an arch and gatehouse, c1778, unexecuted

Aspect

Above- Elevation of a two-storey arch, with spandrels ornamented with rosettes/roundels(?), surmounted by a plinth ornamented with a roundel and swags, and this supports a chimney stove. The arch is flanked by single-storey, three-bay gatehouses, with the central bay pedimented and containing an entrance with a fan light. Above the entrance there is an ornamental tablet and a central chimney stack Below- Plan of a central archway, flanked by three-by-one-bay buildings, with the central bay of the principal front slightly projecting

Scale

not to scale

Signed and dated

c1778
c1778

Medium and dimensions

Pencil on laid paper (209 x 165)

Hand

Probably
Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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