[24] Design for a house, c1787, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - Third scheme for Hill House, Putney, c1787
      - Unfinished designs and designs for a house, c1787, unexecuted (5)

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Reference number

SM Adam volume 35/70

Purpose

[24] Design for a house, c1787, unexecuted

Aspect

Elevation of a two-and-a-half storey, five-bay building, with a hipped roof and a part-sunken basement. The pedimented central three bays are projecting, and at ground-storey level there is a central stepped Tuscan portico, with wrought-iron balustrades, fluted capitals, and a frieze of rosettes and swags. There are full-height windows at the ground- and first-storey levels, with third-height windows in the upper register. The ground-storey windows of the east and west façades are bowed and surmounted by balustrades

Scale

bar scale of 1 inch to 10 feet

Inscribed

Another design for Saml Hannays House at Putney (in the hand of William Adam, underwritten in pencil)

Signed and dated

c1787
c1787

Medium and dimensions

Pen, pencil and wash on laid paper (422 x 265)

Hand

Possibly
Office hand, possibly Robert Morison, with title inscription in the hand of William Adam

Verso

Sir Samuel Hannays house at Putn (cropped) / 2 Elevations and 3 Ground Plans

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, Volume II, Index, p. 26
King, 2001, Volume II, p. 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).