[17] Design for the attic storey, 1786, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - Second scheme for Hill House, Putney, c1786
      - Designs for a house, c1786, unexecuted (7)

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Reference number

SM Adam volume 35/68

Purpose

[17] Design for the attic storey, 1786, unexecuted

Aspect

Plan of the attic storey of a five-by-three-bay building, with a central rectangular block, with a semi-rotunda to the north and south. The principal block is formed with a central light-well, with windows providing light to the north, south and east, and a staircase and water closet to the west. This is surrounded by passageways linking to bedrooms. The northern semi-rotunda contains bedrooms with curved north walls. The semi-rotunda to the south contains a central closet, flanked by irregularly-shaped bedrooms with further closets

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Attick Story / Closet / Bedroom / Closet / Closet / Closet / Bedroom / Closet / Bedroom / Closet / Closet / Passage / Bed room / Closet / Closet / Bed room / Passage / Lumber room / Bed room / Bedroom / Bedroom / Bedroom / No. 9 and some dimensions given

Signed and dated

October 1786
Albemarle (crossed through) St / 25.t Oct.r 1786

Medium and dimensions

Pen and pencil on laid paper (325 x 483)

Hand

Possibly
Office hand, possibly Robert Morison

Verso

No 7 (?)

Watermark

J WHATMAN

Literature

Bolton, 1922, Volume II, Index, p. 26
King, 2001, Volume II, pp. 80-1, 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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