[4] Design for the attic storey, c1786, unexecuted

Explore Collections

You are here: CollectionsOnline / [4] Design for the attic storey, c1786, unexecuted

Browse

Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - First scheme for Hill House, Putney, c1786
      - Preliminary designs, designs and finished drawings for a house, c1786, unexecuted (13)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 35/59

Purpose

[4] Design for the attic storey, c1786, unexecuted

Aspect

Plan of the attic storey of a five-by-four-bay building. The central three bays in the north façade are slightly projecting, with the five bays terminating in piers. There is a central light-well, with windows providing light to passages to the north, south and west, and there is a central oval staircase. This is surrounded by bedrooms and closets, with a semi-circular bedroom to the rear, which forms the central bow in the south front

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Attick Story / Bedroom / Bedroom / Bed room / Closet / Closet / Closet / Closet / Bed room / Bed room / Bed room / Bed room / Bed room / Closet / Bed room and some dimensions given

Signed and dated

c1786
c1786

Medium and dimensions

Pen and pencil on laid paper (240 x 237)

Hand

Possibly
Office hand, possibly Robert Morison

Literature

Bolton, 1922, Volume II, Index, p. 26
Rowan, 1985, p. 58
King, 2001, Volume II, pp. 109, 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).