[10] Design for the west front of a house, c1786, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - First scheme for Hill House, Putney, c1786
      - Preliminary designs, designs and finished drawings for a house, c1786, unexecuted (13)

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Reference number

SM Adam volume 35/54

Purpose

[10] Design for the west front of a house, c1786, unexecuted

Aspect

Elevation of a two-and-a-half-storey, four-bay building, with a hipped roof and part-sunken basement. There are balustraded windows at the ground-and first-storey levels, with half-height windows at the basement-storey level, and third-height windows in the upper register. To the north there is a stepped, Tuscan porte cochère, surmounted by a balustrade, with a ramp flanked by wrought-iron pedestals bearing lamps. To the south there is a bowed façade, surmounted by a stepped, ribbed dome, and with a stepped, balustraded Tuscan colonnade at the ground-storey level

Scale

bar scale of 1 inch to 10 feet

Inscribed

Elevation of the West end of the Hill House for Sir Samuel Hannay Bart. / 2 (pencil)

Signed and dated

c1786
c1786

Medium and dimensions

Pen, pencil and wash on laid paper (268 x 234)

Hand

Possibly
Office hand, possibly Robert Morison

Literature

Bolton, 1922, Volume II, Index, p. 26
Rowan, 1985, p. 58
King, 2001, Volume II, pp. 109, 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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