[13] Finished drawing for the attic storey of a house, c1784, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Brasted Place, Kent, a house and interiors for Doctor John Turton, c1784-88 (44)
    - Preliminary designs and finished drawings for a second scheme for a house, c1784, unexecuted (14)

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Reference number

SM Adam volume 42/84

Purpose

[13] Finished drawing for the attic storey of a house, c1784, unexecuted

Aspect

Plan of the attic storey of a five-by-five-bay building, with a one-by-three-bay wings to the east and west. There is a central passage and a light well, and the passage links to the garret bedrooms

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Garretts / (and in the hand of William Adam, underwritten in pencil) of Doctor Turtons House at Brasted Kent / Staircase / Garret / Bed / Garret / Bed / Garret / Bed / Lumber Closet / Passage / Staircase continued / Garret / Closet / Bed / Garret / Bed / Garret / Bed / Garret / No. 25.

Signed and dated

c1784
c1784

Medium and dimensions

Pen and pencil within a single ruled border on laid paper (494 x 363)

Hand

Possibly
Office hand, possibly Robert Morison, with part-title inscription in the hand of William Adam

Verso

9 / 9 (obscured where affixed) / Doctor Turton house [_] / Plans (crossed through) / Brasted (in the hand of William Adam) / Number 17 (in the hand of William Adam, brown ink) / 17 (pencil) / illegible pencil inscription in modern curatorial hand

Watermark

J KOOL surmounted by fleur-de-lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 4
King, 2001, Volume I, pp. 106, 122
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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