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  • image SM Adam volume 42/72

Reference number

SM Adam volume 42/72

Purpose

[22] Design for the basement storey of a house and kitchen offices, c1784, as executed

Aspect

Plan of the basement storey of a five-by-three-bay building, with a central lobby connecting to a passage (east) and stairs (west), and this is flanked by domestic offices, with a barrel-vaulted room containing wine bins to the south. To the west of the principal building, a covered colonnaded passage and a two-bay link building lead to the kitchen offices, which is within a three-bay block. Beyond this, there is a colonnaded courtyard for the storage of wood and coal. There are preliminary designs for alterations to the courtyard, extending to the north, south and west, and for a central basin (pencil). Banks with trees are also shown (pencil)

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Ground Story / (and in the hand of William Adam, underwritten in pencil) of a house for Doctor Turton / Servants Hall / wine in Bottles / Bedroom / Housekeeper's room / Passage / Lobby / Staircase / Bed / Butlers room / Butlers Pantry / Plate room / Strong Closet / Area / Knives etc / Scullary / Cover'd passage / Kitchen / Passage / Staircase / Larder / Pantry / Wood / Privy / Court / Coals / ashes(?) / No. 32 and some dimensions given

Signed and dated

  • c1784
    c1784

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (411 x 305)

Hand

Possibly
Office hand, possibly Robert Morison, with part-title inscription in the hand of William Adam

Verso

5

Literature

Bolton, 1922, Volume II, Index, p. 4
Rowan, 1985, p. 38, pls. 8-10
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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