[34] Design for a house and adjoining offices, c1784, as executed

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Robert and James Adam office drawings
- Country houses
  - Brasted Place, Kent, a house and interiors for Doctor John Turton, c1784-88 (44)
    - Preliminary designs, designs and finished drawings for a third scheme for a house, c1784, as executed (12)

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Reference number

SM Adam volume 42/71

Purpose

[34] Design for a house and adjoining offices, c1784, as executed

Aspect

Longitudinal section of a building, with a hipped roof and a part-sunken basement, and with a preliminary design for a staircase which extends from the basement-storey to the first-storey level. Beyond the principal building there is a further building, with a hipped roof and a sunken basement. At the basement-storey level there is a passageway containing semi-circular-headed doorways, and steps lead up to a further space, and with doorways and steps down to a lower basement level. Further west there is a Doric colonnade and a pump, which is attached to a well

Scale

bar scale of 1 inch to 10 feet

Inscribed

Section through Doctor Turtons House (in the hand of William Adam) and some dimensions given

Signed and dated

c1784
c1784

Medium and dimensions

Pen, pencil and pink and Naples yellow washes within a single ruled border on laid paper (482 x 312)

Hand

Possibly
Office hand, possibly Robert Morison, with title inscription in the hand of William Adam

Verso

Small plans of / Brasted Place

Literature

Bolton, 1922, Volume II, Index, p. 4
Rowan, 1985, p. 38, pls. 8-10
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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