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  • image SM 47/5/64

Reference number

SM 47/5/64

Purpose

[63] Design for the interior of St John’s, Bethnal Green, London, 1826-7

Aspect

Ground plan of the church of five-by-nine bays with rounded entrance stairs, showing the arrangement of the pews and free seats, reading desk and pulpit in the nave and altarpiece in the chancel, internal staircases on the front end bays, and an external rear staircase between the rear projections

Scale

bar scale of 1 inch to 5 feet

Inscribed

Bethnal Green Chapel. / Plan, shewing the Pews and Free Seats. The pews are numbered 1-90. To the left side in faded pencil are the list of 90 numbered pews with the numbers that can sit on each

Signed and dated

  • 1826-7
    The round-stepped entrance indicates this is a later design which started in 1826 (SM 47/5/3) and so should date to this period

Medium and dimensions

Pencil, pen, wash, coloured washes of brown, orange, pink and yellow, pricked for transfer, on wove paper (726 x 529)

Watermark

SMITH & ALLNUTT / 1823

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).