Scale
scale of 11/2 inches to 1 foot (based on the dimension on plan of 6 inches to 4 feet)
Inscribed
Bethnal Green Chapel / This Drawing to be returned / and the Pattern of the Ornamentati / Head, of Railing Bar Standard / & the Stay Bar, to be approved by Mr. Soane / previous to their being Cast / Plan and Elevation of One of the Side Gates / a. Steel Centre / let into / Gun Metal / B. / B. / a / York Steps. / Ground Line / Wrot. Iron. 2 by ¾ / 2” Sqre. Wrot. Iron / Wrot. Iron / Wrot. Iron / Wrot. Iron / 11/2 Diamr / Portland Coping. / See Parts at Large / Section thro one of the / Side Walls shewing one of / the Piers & Stay Bars / Portland Coping / Plan of Head / in the Broadest part. / Bottom Rail A. / Standard / Bottom Rail A. / Side Elevation / rounded / top of Coping / Part of Railing Bar & Standard / (Full Size). / Wrot. Iron / Wrot. Pin / Batto[_ _] / 1[?]/8 Diamr / Wrot. Iron Top Rail 2 ¼ by 5/8 / Coping / 21/2 Sqre.. / A / Dovetailed into Standard / A / 11/2 Sqre / Wrot. Iron and measurements given
Signed and dated
- 7 August 1827
L. I. F. 7’ Augt. 1827.
Medium and dimensions
Pencil, pen, wash, coloured washes of blue, brown, orange, pink and stone, pricked for transfer on wove paper (742 x 542)
Hand
Probably Stephen Burchell (1806 - c.1843), draughtsman
The Soane Office Day Book for 7 Agust 1827 records Burchell as working on the railings for St John's, Bethnal Green
Watermark
SMITH & ALLNUTT / 1823
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
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