[7] Design for the north front of the bath house, 1774, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Mistley Hall and Village, Essex, for the Rt. Hon. Richard Rigby, c1774-82 (34)
    - Preliminary designs, designs and a finished drawing for a bath house and a reservoir, c1774, unexecuted (12)

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Reference number

SM Adam volume 41/53

Purpose

[7] Design for the north front of the bath house, 1774, unexecuted

Aspect

Elevation of the north front of the bath house, as SM Adam volume 10/165, but the central bow consists of five bays, with a figurative roundel flanked by tablets set above the windows, and with the additional end bays containing niches with statuary

Scale

to a scale

Inscribed

Elevation of the North Front towards the River of a Design for Salt Water Baths. For the Right Honble Richard Rigby at Mistley Hall / in Essex

Signed and dated

Dec 1774
Adelphi Dec.r 19.t 1774.

Medium and dimensions

Pen and pencil on laid paper (580 x 445)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Verso

Literature

Bolton, 1922, Volume II, Index, p. 22
King, 2001, Volume I, p. 249; Volume II, pp.182-3, 223
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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