[15] Finished drawing for a triumphal arch, c1778, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Hyde Park Corner, London, designs for a triumphal arch, gatehouses and screens, c1778, unexecuted (18)
    - Finished drawings for a triumphal arch, third design, c1778, unexecuted (2)

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Reference number

SM Adam volume 28/7

Purpose

[15] Finished drawing for a triumphal arch, c1778, unexecuted

Aspect

Side elevation of triumphal arch, articulated by fluted Corinthian columns, with a central arched entrance, flanked by paired Doric pilasters, and panels depicting military trophies. The spandrels of the entrance contain further trophies, and there is a frieze of anthemia and arabesques. Above this there is a roundel depicting a winged figure and chariot, and this is flanked by further panels of military trophies. Above this there is a frieze of swags and rosettes, and all this is surmounted by statuary, and a plinth ornamented with a figurative scene

Scale

bar scale of 2 inches to 10 feet

Inscribed

Part of a Design for a Gateway at Hide Park Corner (in the hand of William Adam, underwritten in pencil)

Signed and dated

c1778
c1778

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (593 x 488)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison, with part title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index, p. 41
Rowan, 1988, p. 56
King, 2001, Volume II, p. 57
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).