[3] Unfinished design for a chimneypiece for the first floor small room, 1782, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - The Tower of London, London, designs for chimneypieces and mirror frames for Mr Weaver, 1782-3, unexecuted (12)
    - Unfinished design and design for a chimneypiece for the first floor small room, 1782, unexecuted (2)

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Reference number

SM Adam volume 23/143

Purpose

[3] Unfinished design for a chimneypiece for the first floor small room, 1782, unexecuted

Aspect

Elevation of a chimneypiece with a fluted pilaster stile surmounted by a capital containing an urn. The frieze is ornamented with a tripod, flanked by winged griffins, and has a central tablet containing a patera and ribbons suspending a festoon of husks

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Chimney piece for the one pair small room at Mr Weavers House in the Tower / 143 and some dimensions given

Signed and dated

July 1782
20 July 1782

Medium and dimensions

Pen and pencil on laid paper (406 x 290)

Hand

Possibly
Office hand, possibly Robert Morison

Verso

Preliminary design (pencil), possible for SM Adam volume 23/142 with alterations, to a scale

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 51
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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