[5] Design for a house, 1774, unexecuted

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Robert and James Adam office drawings
- Town houses
  - Edinburgh
    - Bellevue House, Drummond Place, Edinburgh: designs for a house and stables for Major General John Scott, 1774-76 (13)
      - Designs for a house, 1774, unexecuted (6)

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Reference number

SM Adam volume 43/72

Purpose

[5] Design for a house, 1774, unexecuted

Aspect

Alternative elevation of the principal (south) front, showing the central block, being a two-and-a-half-storey, seven-bay house, over a half-sunk basement, and with a hipped roof. The central three bays are projecting, and surmounted by a pediment, and with a three-bay Doric portico across the central entrance and flanking windows, which is accessed by a straight staircase

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

South Front of the Plan marked A. / for General Scott in Edinburgh (in the hand of William Adam) (verso) 1

Signed and dated

19/08/1774
Adelphi August 19t. 1774

Medium and dimensions

Pen and pencil on laid paper (546 x 379)

Hand

Adam office hand, possibly Joseph Bonomi or Robert Adam, with additions to title inscription in the hand of William Adam

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 12
King, 2001, Volume II, p. 122
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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