Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [11] Design for a pedestal and urn, 1781

Browse

  • image SM Adam volume 17/67

Reference number

SM Adam volume 17/67

Purpose

[11] Design for a pedestal and urn, 1781

Aspect

Elevation of a tapering pedestal raised on a plain socle and ornamented with tablets containing lion masks, set within a roundel and encircled by a band of laurel-leaf tips, and with an apron of guttae. This all supports an urn, ornamented with gadrooning and festoons of beading, and surmounted by an acorn

Scale

bar scale of 2 1/2 inches to 1 foot

Inscribed

For Henry Drummond Esq.r

Signed and dated

  • Jan 1781
    Adelphi / 12. Janry 1781

Medium and dimensions

Pen, pencil and wash on laid paper (235 x 431)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 37
Harris, 1963, p. 55, 102-3, pl. 143
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).