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  • image SM Adam volume 31/116

Reference number

SM Adam volume 31/116

Purpose

[5] Design for a house, 1777, unexecuted

Aspect

Elevation of a three-storey, five-bay house, with a hipped roof and the pedimented, central three-bays projecting. The stepped, central entrance has a fan light and is flanked by windows surmounted by lunettes, and each is set within a reliving arch, with rosettes ornamenting the spandrels. Above this there are full-height, balustraded windows surmounted by a panel ornamented with a sacrificial scene, and there are quarter-height windows in the upper register. The central three bays are flanked by single bays containing stepped entrances, set within niches with ornamental ceilings. Above this there are tripartite, balustraded windows, articulated by Ionic columns, and all set within relieving arches ornamented with figurative roundels

Scale

bar scale of 1 inch to 5 feet

Inscribed

Elevation of Messrs Drummonds Charing Cross (in the hand of William Adam, underwritten in pencil)

Signed and dated

  • Jan 1777
    Adelphi Janry 14. 1777-

Medium and dimensions

Pen, pencil and wash within a double ruled border on laid paper (561 x 455)

Hand

Possibly
Office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Verso

1

Literature

Bolton, 1922, Volume II, Index p. 36
King, 2001, Volume I, p. 52
Sands, 2016, p. 25, 27
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).