Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [43] Finished drawing for the side of Holy Trinity Church, Marylebone, London, 1822


  • image SM 54/1/31

Reference number

SM 54/1/31


[43] Finished drawing for the side of Holy Trinity Church, Marylebone, London, 1822


Elevation of the side of a nine-bay church. The first, third to seventh and ninth bays have arched latticed windows within relieving arches. The second and eighth bays have rectangular windows, recessed behind a screen of two fluted Doric columns. Above is a Doric frieze, in which every second pair of metopes is shaded, and above the third and fifth bay only one is shaded. Above is a shallow pitched roof. Above the first bay there is a tower supported by a base containing a framed roundel. Above, the main body of the tower is supported by Ionic columns on each corner, and with pinecone caps on above. Between the Ionic columns there is a shuttered louvre with a clock face above. The portion of the tower above is square with a domed roof. It is pierced by three lancet windows, a recessed rectangular panel, and is flanked by fluted pilasters. Above is a cylindrical tower with a rusticated base and a lancet window, with the architrave supported by Corinthian columns. Above is a dome surmounted by a pinecone cap on a strigilated plinth. To the right-hand side of the tower is a stone balustrade with a recessed panel connecting to an attic roof with five bays of arched lattice windows, and antefixes are placed atop the architrave. The roof has a pediment at each end Elevation of the side of a nine-bay church. Similar to SM 54/1/32, but the windows to the vault are omitted and the second tier of the tower has three narrow lancet windows as seen for example in SM 54/1/26, 27, 31, 34


bar scale of 22/10 inches to 10 feet


Design for a Church proposed to be erected in the Parish of St. Marylebone.

Signed and dated

  • 1822
    Datable to 1822 as it conforms in style to SM 54/1/30 and SM 54/1/32

Medium and dimensions

Pencil, pen, wash, coloured washes of brown, Payne’s grey, stone, and yellow within a double ruled border, and pricked for transfer on wove paper (940 x 640)


Soane Office, draughtsman




This design is a slight variant of its partner (SM 54/1/32) as it contains three small windows within the tower, corresponding with one half of the variant design in SM 54/1/31.



If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).