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Finished drawing for the front parlour, c1775, as executed (1)

Notes

There have been a number of alterations to Adam’s design for the front parlour. The columns are treated in porphyry scagliola, the oval ceiling and the chimneypiece all survive, but the columns have been repositioned and the large circular overmantel painting removed.
The overmantel originally displayed Angelica Kauffmann’s ‘Erminia’, but as Harris notes it was likely removed c1924, along with nine panels of stucco, when the room was redecorated for Lord Islington. Of the nine stucco panels, three of these incorporated oval mirrors designed for the space.
During a recent restoration the wall panels and mirrors were reproduced, faithfully recreating Adam’s original scheme.

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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Contents of Finished drawing for the front parlour, c1775, as executed (1)