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Notes
The pencil inscription on Adam volume 22/237, 4t House D[urham] Y[ard], suggests that Adam had intended to reuse the design at the Adelphi, as was the case with various other chimneypiece designs of the 1760s. In this case it was clearly intended for one of the rooms at 4 Adam Street. Indeed, a close variant copy of the design was made for the dining room at 4 Adam Street (Adam volume 24/8), corresponding with the pencil inscription.
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Alternative finished drawings for a chimneypiece for the drawing room, c1767, as executed (2)
- [3] Finished drawing for a chimneypiece for the drawing room, c1767, as executed
- [4] Finished drawing for a chimneypiece for the drawing room, c1767, as executed