[45] Design for a chimneypiece for the circular ante-room, 1775, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Home House, Portman Square, number 17 (now 20), London, for the Countess of Home, 1775-78 (73)
      - Design for a chimneypiece for the circular ante-room, 1775, as executed (1)

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Reference number

SM Adam volume 23/68

Purpose

[45] Design for a chimneypiece for the circular ante-room, 1775, as executed

Aspect

Elevation of a chimneypiece with stiles ornamented with relief fire screens, with tapering, fluted supports and a screen ornamented with a central leaf enclosed within bands. The capitals contain paired masks, a rosette and festoons of beading. The frieze has a central portrait medallion and the mantel is ornamented with a band of dentils

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Chimney Piece for the Circular room at Lady Home's in Portman Square (underwritten in pencil) / 68 / (and in pencil) Circular Draw room with a tablet

Signed and dated

Feb 1775
Adelphi / 1st. Febry 1775. (underwritten in pencil)

Medium and dimensions

Pen, pencil and wash on laid paper (406 x 292)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, pp. 20, 26
Whinney, 1969, pp. 51, 66
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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