[60] Preliminary designs for ornamental panels, c1775, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Home House, Portman Square, number 17 (now 20), London, for the Countess of Home, 1775-78 (73)
      - Preliminary designs for ornamental panels, panels for window shutters and a door, c1775, possibly executed (14)

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Reference number

SM Adam volume 5/16

Purpose

[60] Preliminary designs for ornamental panels, c1775, possibly executed

Aspect

Elevations of ornamental panels, with the top panel containing a central cameo surmounted by arabesques and with an apron of beading and a mask. All this is flanked by ribbons suspending oil lamps and all this is linked with festoons of calyx. The bottom panel is ornamented with a tripod with paw feet and surmounted by an urn ornamented with a rosette. To the right of this there is a ribbon which suspends a cameo and drop calyx and all of this is linked with festoons of calyx

Scale

not to scale

Inscribed

Top Pannel (pencil) / light yellow Ground ornament darker yellow (ink) / Bottom pannel (pencil) / Light Green Ground ornaments Darker (ink)

Signed and dated

c1775
c1775

Medium and dimensions

Pen and pencil on laid paper (277 x 389)

Hand

Probably
Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, p. 27
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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