[53] Preliminary design for an ornamental door panel for the Etruscan room, c1775, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Home House, Portman Square, number 17 (now 20), London, for the Countess of Home, 1775-78 (73)
      - Preliminary designs for ornamental door panels for the Etruscan room, c1775, possibly executed (3)

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Reference number

SM Adam volume 5/12

Purpose

[53] Preliminary design for an ornamental door panel for the Etruscan room, c1775, possibly executed

Aspect

Elevation of an ornamental panel with a pedestal ornamented with a rosette and bands of fluting. This supports an urn surmounted by arabesques and a tablet containing a figurative scene. Above this there is a wreath, portrait cameo, festoons, arabesques and a further urn ornamented with gadrooning and ram masks and surmounted by an anthemion

Scale

not to scale

Inscribed

At Lady Houmes

Signed and dated

c1775
c1775

Medium and dimensions

Pencil on laid paper (190 x 553)

Hand

Probably
Robert Adam

Notes

This design is included within an elevation of the Ertruscan room, SM Adam volume 14/132.

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, p. 27
Whinney, 1969, pp. 54, 67
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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