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image XF244
Tall narrow bookcase, XF244, English, unknown maker, probably designed by Sir John Soane, c.1835, mahogany with deal back and right-hand side, both with added mahogany strips; brass lock and keyhole escutcheon.

Tall narrow bookcase, English, unknown maker, probably designed by Sir John Soane, c.1835, mahogany with deal back and right-hand side, both with added mahogany strips; brass lock and keyhole escutcheon

Height: 161cm
Width: 35cm
Depth: 34cm

Museum number: XF244

Curatorial note

With glazed door; inscription above door: Description de l’Egypte / Antiquites – Memoires / Tom L – II / Description Tom L – II / Etat Moderne Tom L – II (II bis) Texte / Histoire Naturelle Tom L – II; this inscription was originally framed by a cock bead (now missing); below this a painted white F (the Soane cupboard reference); brass diamond keyhole escutcheon and hand-made original brass lock stamped SECURE HANDMADE and 2 / LEVER. The right hand side of the bookcase is deal with only the front two inches or so in solid mahogany; the left side is solid mahogany of flush panelled construction but the panel is only framed at the front & top; the back of the cupboard, deal with a narrow mahogany edge at the left side, forms the back vertical frame of the panel; two internal mahogany shelves with simple mouldings to front edge matching those on other Soane bookcases.

On 12 September 1835, two days after his eighty-second birthday, Sir John Soane recorded in his diary ‘Bought the great French Egyptian work’. This was a copy of the monumental Description de l’Egypte by Dominique Vivant-Denon (1747-1825), in 20 volumes, including three elephant folio volumes of plates, published between 1809 and 1828. His immediate challenge was how to house such large volumes and, indeed, where to do so in a house in which space was already at a premium. Two years earlier he had acquired a large collection of Adam drawings in fifty-four volumes and housed them in cupboards in the Colonnade. He now decided to place his latest bibliographical treasure nearby. The two bookcases, this one and XF75. were commissioned in response to this challenge and made especially to fit the limited space available. The solution ensured that two of the great treasures of Soane’s collection, the Adam volumes and the Denon Description, could be housed in the heart of his museum, where the presence of such rarities in the collection could be advertised prominently to visitors by the inscriptions on the cupboards and bookcases which held them. Both acquisitions were made at a time shortly after the passing of the Soane Museum Act of Parliament in 1833 when Soane was concentrating on the development of the arrangements in the Museum with a view to enhancing its prestige as his legacy to the nation.

The plan of the Ground floor in Soane’s 1835 Description shows the two bookcases in situ, slotted in behind the columns at the east end of the Colonnade. this one was designed to slot in to the north of the passageway and this explains the substitution of cheaper deal for solid mahogany on the right-hand side and back, where it would not be visible to those passing along the Colonnade (the deal back would have been visible to anyone going down the adjacent staircase to the basement, however). The larger bookcase, this one, fitted into the space to the south of the passageway and has a deal panelled back – hidden because it is against the wall. The simple, elegant and practical design of these two bookcases, panelled out with the panels flush in a typical Soanean way, reflects Soane’s own aesthetic very strongly.

The gold painted inscriptions on the two bookcases are original and were carried out by Soane’s regular painter and decorator William Watson in 1835-36.

Soane could have looked for inspiration to the designs for Egyptian-style bookcases published by Percier and Fontaine in Recueil de décorations intérieures (Paris, 1801, reissued in 1812) or in George Smith’s 1808 Collection of Designs for Household Furniture, but instead chose to house his copy of Denon’s Description in very plain and understated bookcases. In his Royal Academy lectures Soane expressed admiration for the ‘grandeur and magnitude’ of Egyptian architecture, which he called ‘wonderful proof of the perseverance and industry of the Egyptians and also of the sublimity of their ideas,’ but criticised the inappropriate contemporary application of Egyptian style in domestic and commercial contexts.

The Denon cupboards were displaced from their original positions at the east end of the Colonnade when the route through the Study and Dressing Room and the small staircase down the basement were widened in 1890-91 during the Curatorship of James Wild.


If you have any further information about this object, please contact us: worksofart@soane.org.uk