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image Image 1 for SM volume 66/42 and verso
image Image 2 for SM volume 66/42 and verso
  • image Image 1 for SM volume 66/42 and verso
  • image Image 2 for SM volume 66/42 and verso

Reference number

SM volume 66/42 and verso

Purpose

[14] As built plan of ground floor

Aspect

Hall Story as Built (verso) plans of opening for door that seems to relate to the doorway between the Library and the Drawing Room on the ground floor

Scale

bar scale of 1/6 inch to 1 foot (verso) 1/3 inch to 1 foot

Inscribed

as above, The Duke of Leeds, rooms labelled: The Hall, Dressing Room, The Library, The Great / Staircase, The Drawing Room, The Eating Room and dimensions given (verso) The Duke of Leeds and dimensions given

Signed and dated

(verso) (Copy) March 16th 1795

Medium and dimensions

Pen and sepia wash with quadruple ruled and black wash border on wove paper (700 x 494) on page 42 of volume 66 (verso) pen and sepia wash

Hand

attributed to Frederick Meyer (1774 - ?), pupil April 1791-1796

Notes

The ground floor has the same rooms ( hall, eating room, library, drawing room and dressing room) found in Soane's design ([2]) though Brettingham's bow is to the left and Soane's to the right. The built staircase is a half-turn with landings while Soane's was on a more striking geometrical imperial plan.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).