[58] Design for the ceiling for the front drawing room, 1770, executed at number 10 Royal Terrace

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - The Royal Terrace
        Number 8, Royal Terrace
        Design for the ceiling for the front drawing room, 1770, executed at number 10 Royal Terrace (1)

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Reference number

SM Adam volume 13/36

Purpose

[58] Design for the ceiling for the front drawing room, 1770, executed at number 10 Royal Terrace

Aspect

Plan of a rectangular, tripartite ceiling, divided by bands of guilloche, and with enclosed rosettes in each corner, and with a central square compartment, containing a medallion set within a circular frame of Vitruvian scroll, festoons, and encircled by four cameos, and the whole is set within a shaped lozenge, and this within a circular frame of cable moulding, encircled by segmental rosettes enclosed within fans, peltoid shields, and festoons, and with pencil-drawn peltoid shields in each corner, and the central square compartment is flanked by rectangular compartments, containing enclosed rosettes, alternating with double calyx and anthemia

Scale

bar dale of ¾ inch to 1 foot

Inscribed

Cieling of the front Drawing room at No. 9 in the Royal Terrace Adelphi

Signed and dated

1770
1770

Medium and dimensions

Pen and pencil on laid paper (603 x 424)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

'Every Look Speaks': Portraits of David Garrick, The Holburne Museum, Bath, 16 September - 9 December 2003

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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