[22] Design for stable offices, c1774-77, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Mamhead, Ashcombe, Devon: designs for interior decoration, alterations to the house, a garden seat, a temple and stable offices for the 1st Earl of Lisburne, 1767-80 (32)
    - Designs for stable offices, c1774-77, unexecuted (3)

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Reference number

SM Adam volume 32/35

Purpose

[22] Design for stable offices, c1774-77, unexecuted

Aspect

Elevation of the interior front of the rear range, flanked by sections of the side ranges, showing a one-and-a-half-storey, three-bay central block, with a hipped roof, flanked by single-storey, two-bay links, and with one-and-a-half-storey section of the side ranges, with pitched roofs

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

Section through the Offices for Mamhead From A to B on the Plan and some measurements given

Signed and dated

1774-77
date range: 1774-77

Medium and dimensions

Pen on laid paper (537 x 248)

Hand

Adam office hand

Literature

Bolton, 1922, Volume II, Index p. 22
King, 2001, Volume II, p. 222
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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