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  • image SM 46/3/7

Reference number

SM 46/3/7

Purpose

[6] Design No3 for alterations and additions: first floor plan

Aspect

The Plan of the Chamber Floor

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, Thomas Peckham Phipps Esqr, No 3, rooms labelled: Lady's Dressing Room, Bookcase / &c (twice), Dressing Room, Best Staircase, Archway, Occasional Chamber / & / Dressing Room, Chamber, Dressing Room,Corridor and some dimensions given

Signed and dated

  • Lincolns Inn Fields March 15: 1796

Medium and dimensions

Pen, sepia and Indian red washes, partly pricked for transfer, with quadruple ruled and sepia wash border on laid paper with one fold mark (475 x 658)

Hand

Thomas Jeans (c.1775-1866) pupil August 1792-25 August 1797

Watermark

J Whatman 1794 fleur-de-lis within crowned cartouche and below, ornate W

Notes

A plan for the ground floor is lacking. The first floor plan has some small changes from drawings [3] and [5] so that, for example, top lighting is suggested for a dressing room and a lobby, and book cases are introduced to the lady's dressing room.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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