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image SM Adam volume 13/31

Reference number

SM Adam volume 13/31

Purpose

[50] Finished drawing for the ceiling for the back drawing room, 1769; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a central rosette, encircled by enclosed acanthus leaves, and a circular frame, encircled by rinceaux, accompanied by an x-shaped arrangement, and set within a lozenge-shaped frame, encircled by four enclosed rosettes, and the whole is set within an oval frame of Vitruvian scroll, encircled by four corner compartments containing rinceaux and anthemia, alternating with rectangular compartments containing rosettes and calyx enclosed within lozenges, and the whole is set within a border of guilloche

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Cieling of the back Drawing room at No. 6. Royal Terrace Adelphi / (and in pencil) Mr [ _ _ _ _ _ _]k No 6 and some measurements given

Signed and dated

1769

Medium and dimensions

Pen, wash and coloured washes including olive green and Indian red within a single ruled border on laid paper (511 x 451)

Hand

Adam office hand, possibly Giuseppe Manocchi, William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
Rowan, 2007, p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).