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image SM volume 61/114

Reference number

SM volume 61/114

Purpose

Design 'No 1' for the exterior of the new entrance in a Classical style, February 1828

Aspect

Perspective View of the Exterior of the Buildings in front of the House of Lords No 1

Inscribed

as above, No 6

Signed and dated

February [1828]

Medium and dimensions

Pencil, sepia, black and blue washes, shaded, with single-ruled border on laid paper (289 x 439), pasted into volume 61

Hand

Charles James Richardson (1806 - 1871)
Pupil February 1824 - January 1827.

Notes

To the forefront of this drawing is the porte-cochère at the south west corner of the new entrance - this was to serve as the King's main entrance to the House of Lords. To the north, towards Westminster Hall (which can be seen in the background, left) is the second, identical porte-cochère. Both have fluted Corinthian columns on tall pedestals with dosserets supporting statues, and are capped with stepped domes supporting further statuary. In between the porte-cochères, the elevation to Old Palace Yard is nine-bays wide with pairs of giant, fluted Corinthian columns at the third, fifth and seventh bays beneath which are entrances flanked by lamp-posts. The ground floor is rusticated. Above, the balustrade is completed with more statues. The southern elevation has five bays with two columns in the centre and three entrances.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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