- Robert and James Adam office drawings
Of the unexecuted scheme for the ceiling, Stillman wrote the following: ‘Filled with characteristic Adam motifs and arrangements, it is a subdivided ceiling that revolved around a central panel with a classical subject medallion. Among the motifs employed in the various panels are long subject plaques, ovals, valerium fans, octagons with rosettes, and patterns of subdivided panels composed of nine adjacent octagons. The controlled variation in panel size and content reflects Adam’s sense of unity amid variety, and the refined Neo-classical character of the decoration is also typical of Adam’s domestic work, especially the houses decorated in this same decade of the 1770s.’
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).