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  • image SM Adam volume 20/193

Reference number

SM Adam volume 20/193

Purpose

[5] Design for a pier glass for the drawing room, 1771; it is not known if this design was executed

Aspect

Elevation of a rectangular pier glass frame, ornamented with laurel leaves, with an apron of arabesques flanking a mask, and surmounted by arabesques, anthemia, rosettes, and a tubular flower supporting an oval medallion

Scale

bar scale of 1 ¾ inches to 1 foot

Inscribed

Glass frame for the Drawing room at / Mr Thynnes

Signed and dated

  • 1771
    datable to 1771

Medium and dimensions

Pen and pencil on laid paper (174 x 371)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 36
Harris, 1963, Index p. 54
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).