Design for the ceiling of the Ante-Room, 6 December 1823

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: designs for alterations and additions, 1793-1828 (499)
    - London: House of Lords, Palace of Westminster: alterations and additions, 1817-28 (220)
      - Royal Gallery and Committee Rooms, 1823-24 (66)
        Designs for the Ante-Room to the Royal Gallery, December 1823

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Reference number

SM 51/2/15

Purpose

Design for the ceiling of the Ante-Room, 6 December 1823

Aspect

Plan & Section of the / Ciel (sic) in the Room / next the Kings Staircase with details of the ceiling in section and part plan of a door surround

Scale

bar scale of 5/12 inch to 1 foot

Inscribed

as above, labelled (in Soane's hand): House of Lords, Section on the EF (sic), C, E, A, Section on the line CD, D, Section on the line AB, B, F, (office hand) G Full Size, G and some dimensions given

Signed and dated

6 December 1823
(in Soane's hand) 6 Dec^r 1823

Medium and dimensions

Pen, pink and sepia washes, partly pricked for transfer on wove paper (368 x 539)

Hand

Soane Office

Notes

The Ante-Room has a compartmentalised ceiling, a sectional detail of which is shown on the left hand side of the drawing. This has a scrolled bracket, a coved 'frieze', a pendant, egg and dart moulding and ogee moulding shown full size to the right of the drawing. Above this is a part plan of the door surrounds. The orientation of the ceiling decoration helped to emphasise the north-south axis of the Ante-Room (S. Sawyer, Soane at Westminster, PhD thesis, Columbia University, p. 438).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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