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image SM Adam volume 29/96

Reference number

SM Adam volume 29/96

Purpose

[9] Design showing a plan of the second scheme for the house, 1776, unexecuted

Aspect

Plan of the house and domestic offices, showing a twelve- by three-bay rectangular principal block, with three-bay canted bows in the end bays on the north and south fronts, and with the central two bays on the north front slightly recessed, and with a three-bay bow in the left-hand side elevation, and with a rectangular range attached to the right-hand side front of the principal block, beyond a rectangular projection or loggia, and beyond this is a V-shaped range, containing rooms and stables, and enclosed into a triangle by a boundary wall, with a central conservatory built against the external side, and beyond this range is a large rectangular court containing various rooms, stables, and a formal garden(?)

Scale

bar scale of 1/2 inch to 10 feet

Inscribed

Plan of the House & Offices at Shaw park. the Seat of the Right Honorable Lord Cathcart (the Seat of the Honorable Lord Cathcart in the hand of William Adam and underwritten in pencil) / Bed Chamber / Bed Chamber / Powder room / Dressing room / Bed Chamber / Gentlemans Dressing room / Servant / Powder room / Bed Chamber / Ladys Dressing room (verso) 5 / Lord Cathcart / Shaw Park

Signed and dated

Adelphi Febry 24t. 1776

Medium and dimensions

Pen and pencil on laid paper (922 x 449)

Hand

Adam office hand, either Joseph Bonomi or Robert Adam, with addition to the title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 29
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).