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image SM 71/2/70

Reference number

SM 71/2/70

Purpose

Design for a Royal Gallery, 1822

Aspect

Perspective Sketch of a Design for the proposed New Royal Gallery

Inscribed

as above

Signed and dated

1822

Medium and dimensions

Pencil, pen, sepia, yellow and blue washes, shaded, with single ruled caput wash border on wove paper (350 x 265)

Hand

Soane Office

Notes

One of three designs for the Royal Gallery, SM 71/2/70 corresponds to a plan and laid-out wall elevations on the verso of SM 71/2/41 (q.v.). In this drawing the gallery is divided into three bays. The final bay has two colonnades of Corinthian columns and further columns on either side of the entrance. Above this bay is a coffered barrel vault, in the arches of which are large lunette windows, and behind the colonnades on either side of the room is a clerestory or skylights. Unusually, the barrel vault is positioned perpendicular to the central bay, which has a scalloped shallow dome with a central rosette and winged figures in the pendentives. The statuary in this instance stand in niches on either side of the room, behind the colonnades. The Royal Gallery was executed to a completely new design in 1824.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).