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  • image SM Adam volume 23/49

Reference number

SM Adam volume 23/49

Purpose

[25] Finished drawing for a chimneypiece for the great drawing room, 1773, as executed

Aspect

Elevation of a chimneypiece, with pilaster stiles, ornamented with urns supported by pedestals, and vesica-shaped medallions, enclosed within beading and festoons, and with ram masks at the top, and with a frieze ornamented with fluting, miniature enclosed rosettes, a central circular medallion flanked by winged sphinxes with rinceaux tails, and with enclosed lion masks in the capitals

Scale

to a scale

Inscribed

Design of a Chimney Piece for the Great Drawing Room at Lord Stanley's / in Grosvenor Square. Statuary Marble inlaid with Scagliola Ornaments & Figures / The Mouldings in Or Moulu and some measurements given in pencil

Signed and dated

  • 1773
    1773

Medium and dimensions

Pen, pencil, wash and coloured washes including Indian yellow on laid paper (406 x 292)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 38
Stillman, 1966, p. 74
Harris, 2001, p. 363
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).