Design for the staircases to the galleries (unexecuted)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: designs for alterations and additions, 1793-1828 (499)
    - London: House of Lords, Palace of Westminster: alterations and additions, 1817-28 (220)
      - Alterations to the House of Lords to increase accommodation for the trial of Queen Caroline, 1820 (16)
        Survey drawing and designs for galleries, July 1820

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Reference number

SM 51/3/57

Purpose

Design for the staircases to the galleries (unexecuted)

Aspect

Plan shewing the entrances to the / galleries, made in the / Centre of the sides

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, labelled (in Soane's hand): Design N^o 2; benches labelled (in pencil): 5 (5 times), 12 (4 times), 11 (3 times), 10 (4 times), 9 (4 times), 4

Signed and dated

25 July 1820
25^th July 1820

Medium and dimensions

Pen, sepia and pink washes, pricked for transfer with double ruled and sepia wash border on wove paper (476 x 310)

Hand

Charles Edward Papendiek (1801 - 1835)
Pupil January 1818 - March 1824.

Notes

In contrast to 'Plan No 1' (SM 51/3/60), 'Design No 2' has staircases that are entered from an aisle through the centre of the benches on the west side of the House (the right hand side of the drawing). Those on the east side of the House are entered from the ends of the benches, as in 'Plan No 1'. The capacity of the benches in this configuration is 186, as against 188 in 'Plan No 1'.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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