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image SM Adam volume 46/56

Reference number

SM Adam volume 46/56

Purpose

[24] Design for the principal and garden fronts of the house, 1789

Aspect

Elevation of the principal (south) and garden (north) fronts of a three-storey, three-bay building, with a hipped roof, a half-height upper storey, with the central bay slightly recessed on the principal front, and the central bay slightly projecting and pedimented on the garden front, and with tripartite windows on the ground storey of the principal front, with a central door, and a balustraded tripartite window surmounted by a fanlight, and set within a relieving arch in the central bay of the first storey, and on the garden front there are tripartite windows in the central bay on the ground and first storey, surmounted by a fanlight, and set within a relieving arch

Scale

bar scale of 1 inch to 10 feet

Inscribed

18th (in pencil) / Back front of the Deputy Registers House at Edinburgh (in the hand of William Adam) / A (in pencil) / A (in pencil) / [further feint and illegible pencil inscriptions] / Design of a House for the Deputy Register with a small Apartment for the Lord Register proposed to be built / upon the ground behind the North East End of the Register Office

Signed and dated

datable to 1789

Medium and dimensions

Pen and pencil within a single ruled border on laid paper (337 x 349)

Hand

Adam office hand, possibly Robert Morison, with title inscriptions in the hand of William Adam

Literature

King, 2001, Volume II, p. 55
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).