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image SM Adam volume 53/14

Reference number

SM Adam volume 53/14

Purpose

[12] Record drawings for friezes, ND

Aspect

Elevation of friezes for the dining room, the lady's dressing room, the first drawing room, the ante room, and the second drawing room. The dining room frieze is composed of fluting, alternating with wreaths enclosing masks and urns accompanied by an enclosed rosette. The lady's dressing room frieze is composed of anthemia and tubular flowers, supported by calyx and acanthus leaves, flanked by birds (eagles?), which support festoons of bell flowers, and these elements alternate with calyx and arabesques enclosing rosettes. The first drawing room frieze is composed of urns, supported by half figures, alternating with anthemia. The ante room frieze is composed of putti, standing on pedestals, and alternating with urns supported by tubular flowers and calyx; putti and urns are connected by festoons of bell flowers. The second drawing room frieze is composed of anthemia, enclosed within continuous roundels, with calyx in between

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Dining room / Lady's Dressing room one pair / First Drawing room / Anti room / Second Drawing room

Signed and dated

  • ND

Medium and dimensions

Pen and pencil on the laid paper of the folio page (290 x 470)

Hand

Adam office hand, possibly James Adam

Watermark

fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 49
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).