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image SM 2/7A/5

Reference number

SM 2/7A/5

Purpose

[18] Working drawing for plan of ground floor

Aspect

Plan of the Ground Floor

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, Lancelot Austwick Esqre, F, G, rooms labelled: Parlor, Office, Pantry, Store Closet and dimensions given

Signed and dated

  • 00/05/1796
    Copy Lincolns Inn Fields May / 1796

Medium and dimensions

Pen, burnt umber, sepia and yellow washes on thin wove paper, modern repair (564 x 325)

Hand

Soane office

Notes

Dated May 1796 this plan follows other earlier drawings [1, 2, 4, 6, 8, 10, 13, 14] for the ground floor and may represent the final design. In fact it corresponds with undated drawing [14]. The through passageway on the right-hand side that is for loading and offloading pipes of wine has been retained. The door is matched by a false door on the opposite side and there is now a central entrance door with two steps and with a window on either side that lights the Parlour and the Office. To the three-windowed back is a Pantry, Store Closet and (right-hand side) an open newel stair with convenient access (via a side door) to the basement wine cellar as well as to the upper floors. See also verso of drawing [21] for first floor plan. For a plan of the attic floor see drawing [25] verso.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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