Derby is best remembered as a supporter of horse racing, but also for his troubled marriage. In 1774 he married Lady Elizabeth Hamilton (1753-97), daughter of the 6th Duke of Hamilton and the famous beauty, Elizabeth Gunning. After five years, the Countess had an affair with a notorious rake, John Frederick Sackville, 3rd Duke of Dorset. The couple separated, but the Earl refused his wife a divorce – preventing her from marrying the Duke – and refused her access to their three children. One week after the Countess’s death in 1797, Derby married again, his companion, Miss Elizabeth Farren (c1759-1829) an actress, by whom he had another three children.
The first Countess of Derby held considerable sway over Robert Adam’s works for Lord Derby. The estate at The Oaks had belonged to General John Burgoyne and his wife Lady Charlotte Burgoyne, Adam’s patrons at 10 Hertford Street, London. To celebrate Derby’s marriage to Lady Elizabeth Hamilton, the Burgoynes hosted a magnificent fête champêtre at The Oaks on 9th June 1774, just days before the wedding on the 23rd of that month. For this occasion Derby (then Lord Stanley) commissioned Adam to design a vast temporary pavilion. Adam was already working for Derby at his town house on Grosvenor Square. Presumably it had been through his aunt, Lady Charlotte Burgoyne, that Derby had been introduced to Adam. It is also vaguely feasible that Derby came to know Adam through his wife's maternal uncle, the 6th Earl of Coventry, whom had married the other Gunning sister, and who was Adam’s patron at Croome Court, Worcestershire, and Coventry House, Piccadilly
There are no surviving drawings for the temporary pavilion within the Adam drawings collection at Sir John Soane’s Museum, but in the third volume of the Works in architecture of Robert and James Adam (1822) there is a plan of the pavilions as executed, showing a D-shaped building containing a central ball room, and a long supper room curving around the ballroom, and with a small tea room at each end. In the Works there are also two engraved views showing the supper room and the ball room. Both of these views were engraved from watercolour drawings commissioned by Derby, and by the Adam office draughtsman, Joseph Bonomi, and that for the supper room was sold at Bloomsbury Book Auctions on 1 June 2000. The pavilion at The Oaks contained Adam’s two largest executed rooms, but it was a temporary structure, and presumably constructed from wood and canvas.
On inheriting in 1776, Derby commissioned Adam to make designs for work on Knowsley, and then in c1777 to make designs for The Oaks: his intention was to improve his aunt’s house. The Oaks estate – taking its name from a local grove of trees – contained an older house which was reworked in the middle of the eighteenth century, possibly for a banker named Sir Thomas Gosling, and possibly to designs by Sir Robert Taylor (1714-88). The lease was acquired by Burgoyne in the mid-1750s and he made further alterations and improvements, also to designs by Taylor.
Adam made six known unexecuted alternative designs for The Oaks, although some guess-work has been necessary to sequence these in chronological order as the drawings which appear to comprise the second and fourth schemes are little known. With each design the complexity of the structure and its ornamentation appears to decrease, thus decreasing in cost: it is noted in pencil on one drawing in the first scheme (Adam volume 29/28) that the cost to build the design would be £11,000; a drawing from the third scheme (Adam volume 29/31) includes the cost of £8,903.12s.; a drawing from the fifth scheme (Adam volume 29/34) includes the cost £5,589.14s; and a drawing from the sixth scheme includes the cost £5,404.5s. What does seem clear is that four of these six schemes were sent for Derby's consideration as those schemes with annotated prices were produced as finished drawings, and irrespective of their appearance within the apparent design evolution, they are labelled in the pencil inscriptions giving cost as designs A, B, C and D. None of the six designs were realised, but according to Rowan this work had an enormous impact on Adam’s development as a designer of castle-style houses – he was just beginning his work at Culzean Castle Ayrshire. The work to remodel the house was begun in 1777, and a single pencil sketch for this work in Adam’s own hand survives (Adam volume 10/25). The project was abandoned and left unfinished only a year later in 1778. Derby lost all interest in his building projects at both Knowsley and The Oaks following the Countess’s affair with the Duke of Dorset, and his subsequent efforts were focused on sporting activities – principally horse racing – he was responsible for instituting the Epsom Oaks, and the Derby Stakes.
Knowsley remains in the possession of the 19th Earl of Derby. The estate contains a safari park founded by the 13th Earl, and part of the house is leased for events. The Oaks was sold by the 12th Earl shortly before his death in 1834. It passed through several hands, suffered a fire, and was partly rebuilt in the mid-nineteenth century. In 1915 it was sold to the Surrey Joint Poor Law Committee for use as a home for women with epilepsy, and then in 1933 it was sold again to the Carshalton Urban District Council, who opened the park to the public. The house was used during the Second World War by the Home Guard, the RAF, and the Army. By the 1950s the house was in a state of dilapidation, and the council could not afford to make the necessary repairs, so it was demolished in 1957-60.
See also: 10 Hertford Street, London; Derby House, 23 Grosvenor Square, London; Knowsley Park, Lancashire.
R. and J. Adam, The works in architecture of Robert and James Adam, 1822, Volume III, pl. 20-22; A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, pp. 72-79, Index pp. 24, 68; I. Nairn, and N. Pevsner, The buildings of England: Surrey, 1971, pp. 136-137; G. Beard, The work of Robert Adam, 1978, p. 49; A. Rowan, Designs for castles and country villas by Robert & James Adam, 1985, pp. 102-117; A. Rowan, ‘Lord Derby’s reconstruction of The Oaks’, Burlington Magazine, Volume 127, number 991, October 1985, pp. 678-87; S. Astley, Robert Adam’s castles, 2000, pp. 15, 29; E. Harris, The genius of Robert Adam: his interiors, 2001, pp. 282, 295; D. King, The complete works of Robert & James Adam and unbuilt Adam, 2001, Volume I, pp. 220, 222-223, 375-379, Volume II, pp. 138, 164, 166, 228, 232-236, 245; A. Rowan, "Bob the Roman", Heroic antiquity & the architecture of Robert Adam, 2003, p. 53; J. Phillips, and P. Williams, ‘The Oaks Park mansion house’, Carshalton & District History & Archaeology Society report on an excavation, July 2009, pp. 3-9; ‘Stanley, Edward Smith, twelfth earl of Derby (1752-1834)’, Oxford dictionary of national biography online; ‘Stanley, Edward, Lord Stanley (1752-1834)’, History of Parliament online
Frances Sands, 2014
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of The Oaks, Carshalton, Surrey: designs for alterations to the house for the 12th Earl of Derby, c1777 (24)
- 1st scheme for the house, c1777, unexecuted
- 2nd scheme for the house, c1777, unexecuted
- 3rd scheme for the house, c1777, unexecuted
- 4th scheme for the house, c1777, unexecuted
- 5th scheme for the house, c1777, unexecuted
- 6th scheme for the house, c1777, unexecuted
- Final scheme for the house, c1777, partly executed
- Designs for a gateway, c1777, unexecuted