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image 158v (SM volume 162) Isola Memmia

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158v (SM volume 162) Isola Memmia


158v (SM volume 162) Isola Memmia


there is also a new Palace, light & Airy / A rough plan and plan/view labelled La Fiera with key: 1. Canal / 2. Bridges / 3. Statues on both banks / of the Canal / 4 Ionic Col.[onnade] with / Shops, & Coffee / houses at 5. / 6. 3 Arches painted / with doric Pil[asters]. The plan/view labelled Ionic Col.[onnade] with Port.[ico], Doric Pil.[asters] Pain[ted], Statues going all round and Canal. (G. Darley, John Soane: an accidental Romantic, 1999, p.53) describes this as 'the recently built Isola Memmia, a theatrical conceit consisting of an oval artificial island surrounded by a canal crossed by a number of ornate bridges to the ancient university complex'.)Literature. P.du Prey, John Soane's architectural education 1753-80, 1977, p.302



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).