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  • image Image 1 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 2 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 3 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 4 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 1 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 2 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 3 for SM (276) 49/5/41 (277) 49/5/43
  • image Image 4 for SM (276) 49/5/41 (277) 49/5/43

Reference number

SM (276) 49/5/41 (277) 49/5/43

Purpose

Designs for the Triumphal Arch, March 1829 (2)

Aspect

276 Plan of Triumphal Arch; (verso) plan and sections of an unidentified staircase 277 Front elevation; (verso) part elevation of George Sampson's Bank of England

Scale

(276) bar scale of 1/12 inch to 1 foot (277) bar scale of 1/4 inch to 1 foot

Inscribed

276 (verso): Spring - top / of Stone Cill and dimensions given 277 some dimensions given

Signed and dated

  • (276) (pencil) 1st March 1829 (277) (pencil) March 28th 182- (cut off)

Medium and dimensions

(276) Pen, pink and blue washes, (verso) pen, grey, light red and yellow washes, pricked for transfer on wove paper (448 x 540) (277) pencil, sepia, burnt Sienna and pink washes, pricked for transfer on two sheets of wove paper, affixed (528 x 534)

Hand

(276) Charles James Richardson (1809-71, pupil and assistant 1824-1837) (277) Soane office

Notes

In contrast to earlier drawings (for example, drawings 255-257), the Triumphal Arch has been extended westwards making the apertures on the short north and south sides of the Arch off-centre (drawing 276). Drawing 277 is a rough design which makes it difficult to interpret the ornamentation of the Arch. The Arch is crowned by an equestrian statue of King George IV in Roman costume. It is implied that there are inscriptions in the attic panel, but on earlier designs this space has a carved relief.
The verso of drawing 277 has been catalogued with the other drawings for the Bank of England (q.v. Soane: Bank of England: Bank of England: 1817-1833 Rebuilding of offices: East, South and West facades).

Drawer 277 was identified by Richard Garnier in November 1998.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).