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  • image Image 1 for SM (247) 49/1/36 (248) 49/1/37
  • image Image 2 for SM (247) 49/1/36 (248) 49/1/37
  • image Image 1 for SM (247) 49/1/36 (248) 49/1/37
  • image Image 2 for SM (247) 49/1/36 (248) 49/1/37

Reference number

SM (247) 49/1/36 (248) 49/1/37

Purpose

Survey drawings of the temporary Privy Council Chamber, 1827 (2)

Aspect

247 Plan of the Temporary Privy Council Chamber in Whitehall Place 248 Plan of the Temporary Privy Council Chamber in Whitehall Place

Scale

(247, 248) bar scales of 1/2 inch to 1 foot

Inscribed

247 as above, labelled: Press, Table to Move (twice), Bar (8 times), Seat, Glass (twice), Councellers (sic), 5 Chairs (twice), 10 Chairs, Lords in Waiting, (pencil) Council Offices and dimensions given 248 as above, labelled: Late Tempory Councell Room (sic) and dimensions given

Signed and dated

  • (247, 248) 1827

Medium and dimensions

(247) Pen, grey, yellow and blue washes, (248) pen, yellow and blue washes, pricked for transfer on wove paper with one fold mark (648 x 500, 621 x 481)

Hand

(247, 248) ?clerk of works

Watermark

(247, 248) 1821

Notes

While the new Privy Council Offices were being built the council was temporarily removed to a newly-built vacant house, 'very conveniently situated on the south east angle of Whitehall Place'. It was leased to the Council by a Mr John Holroyd for £600 per annum on the condition that any alterations would be reversed by the Office of Works when the lease was terminated (WORK 1/13, p. 86). The house no longer survives.
On the verso of drawing 248 is a rough, unfinished pencil drawing of the new Privy Council Chamber.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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