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Reference number

SM (98) P79

Purpose

[98] Drawing made for exhibition at the Royal Academy of the Pitt Cenotaph, 1823

Aspect

98 Composite drawing consisting of an inset plan, three interior perspectives, three part-interior perspectives and one exterior perspective

Inscribed

The National Debt Redemption Office / view from the hall to the counting house, The National Debt Redemption Office / view under the dome towards the hall, Elevation of the National Debt Redemption Offices, Plan of National / Debt Redemption Office

Signed and dated

  • datable to 1823

Medium and dimensions

Pencil and coloured washes, watercolour technique (745 x 1302 visible in frame which is 940 x 1500)

Hand

Joseph Michael Gandy (1771-1843)

Notes

Exhibited at the Royal Academy in 1823 under the title: 'An architectural study; subject, the National Debt redemption office, and the Cenotaph to the memory of the Right Hon. William Pitt'. The Pitt Cenotaph was opened in 1823 though designed earlier (from December 1817).
See drawing 81 for another Cenotaph drawing exhibited at the Royal Academy in 1819.

Drawing in temporarily in store, not available for cataloguing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).