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  • image Image 1 for SM (39) volume 60/172 (40) volume 60/173
  • image Image 2 for SM (39) volume 60/172 (40) volume 60/173
  • image Image 1 for SM (39) volume 60/172 (40) volume 60/173
  • image Image 2 for SM (39) volume 60/172 (40) volume 60/173

Reference number

SM (39) volume 60/172 (40) volume 60/173

Purpose

Designs for the houses, April 1808 (2)

Aspect

39 Perspective Sketch of a Design for the proposed New Bank Buildings in Princes Street taken from Lothbury, north east of the new houses, with the Tivoli corner of the Bank of England in view 40 Perspective Sketch of a Design for "New Bank Buildings" in Princes Street taken from Lothbury, north of the new houses, with the Tivoli corner of the Bank of England in view

Inscribed

39 as above 40 as above

Signed and dated

  • (39, 40) April 13 1808

Medium and dimensions

(39, 40) Pen, sepia, raw Sienna, blue and grey washes with a sepia wash border on wove paper (317 x 513, 316 x 513) affixed at corners to pp. 147 and 148 of volume 60, numbered 172 and 173

Hand

(39, 40) Seward, Malton or Underwood (Day Books)

Notes

Drawings 39 and 40 are rough, with no ruled lines and very few details. Nevertheless they show the new houses in full, including the extension to No. 5. Perhaps of most significance is that the new houses are shown in relation to the Tivoli corner of the Bank of England, which is in the foreground.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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