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  • image Image 1 for SM (81) 56/1/26 (82) 56/2/30
  • image Image 2 for SM (81) 56/1/26 (82) 56/2/30
  • image Image 1 for SM (81) 56/1/26 (82) 56/2/30
  • image Image 2 for SM (81) 56/1/26 (82) 56/2/30

Reference number

SM (81) 56/1/26 (82) 56/2/30

Purpose

Working drawings for alterations to the stable door and coach house gates (No. 11), April-May 1830 (2)

Aspect

81 Details and elevations of Door to Stable, Door Frame to Stable and Part of Coach House Gates
82 Details and elevations of door to stable, Door Frame to Stable and part of coach house gates

Scale

(81, 82) bar scales of 1 foot to 1 inch and Full Size

Inscribed

81 as above, Bank of England Branch Manchester, No 11 (twice), labelled: Door style, Wall Lining, Granite Sill 14" x 12", Huddersfield Stone (twice), and some dimensions given 82 as above, Bank of England Branch at Manchester, No 11, (pencil) No 11, labelled: Granite Step 14 by 12.0 / 5.0 long, Door style, Wall Lining, Granite Sill 14 by 12. 13 feet long, Huddersfield Stone (3 times), and some dimensions given

Signed and dated

  • (81) Lincolns Inn Fields / April 1830 and J.S. [John Soane] / 26 May 1830 (82) L. I. F. (cut off)

Medium and dimensions

(81, 82) Pen, raw Sienna, pink, caput and blue washes, pricked for transfer on wove paper (530 x 735, 530 x 710)

Hand

(81) George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60) (82) David Paton (1801-82, assistant 1829-30)

Watermark

(81) Smith & Allnutt 1823

Notes

The doors to the stable and coach house are to be made of deal with fir frames, the stable door to be 'hung with three 5 inch wrot but [sic] hinges with fastenings of the value of twenty shillings' (Specification, drawing 56, p. 15). Instructions regarding the coach house gates are to be found on page 16 of the Specification.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).