Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Italy: ? The Villa Medici. View over a wall showing a square two-storied belvedere with pitched roof, sculpture on the balcony, and surrounded by conifer and deciduous trees in a landscape setting, presumably near Rome. A tower is shown in the distance.
  • image Adam vol.57/124

Reference number

Adam vol.57/124

Purpose

Italy: ? The Villa Medici. View over a wall showing a square two-storied belvedere with pitched roof, sculpture on the balcony, and surrounded by conifer and deciduous trees in a landscape setting, presumably near Rome. A tower is shown in the distance.

Aspect

Perspective

Inscribed

Inscribed in ink 124

Signed and dated

  • Undated.

Medium and dimensions

Black chalk, pencil146 x 211

Hand

Unidentified eighteenth-century artist

Notes

This unidentified drawing is presumably of a small building near Rome, such as the one shown on the extreme edge of Adam vol.57/79. It is possible that the belvedere and the other one shown faintly behind are those of the Villa dei Medici, Rome, of which there are additional views in Adam vol.57/90 and 57/110.The hand is the same as that at Adam vol.57/132.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).