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  • image SM Adam volume 50/74

Reference number

SM Adam volume 50/74

Purpose

[3] Finished drawing for a drawing room, 1767, unexecuted

Aspect

Plan and laid out wall elevations for a rectangular room, with a bow of three windows on one wall, flanked by a further window to either side, and each window has a curtain cornice ornamented with calyx crockets, and on the wall opposite is a chimneypiece with ornamental pilaster stiles, and surmounted by a rectangular overmantel mirror surmounted by an urn flanked by winged griffons, and the chimneypiece is flanked by doors articulated by Ionic pilasters ornamented with scrolled hearts, and with friezes of festoons, calyx and anthemia, and with rectangular figurative overdoor panels, and the side walls contain arched recesses, ornamented with scrolled hearts, and containing benches, tripartite mirrors, divided by terms, and surmounted by ornamental semicircular fans of plasterwork, and the arches are flanked by oval mirrors with candle branches, surmounted by medallions, and with a frieze of anthemia

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

DESIGN of a Drawing Room for Sir Fletcher Norton Baronet at his House near Guildford in Surry / Wonersh (in pencil in a modern curatorial hand, possibly Arthur Bolton) / PLAN of the ROOM and some measurements given

Signed and dated

  • 1767
    Robt Adam Architect 1767

Medium and dimensions

Pen, wash and pink and cerulean blue washes within a single ruled border on laid paper (644 x 918)

Hand

Adam office hand, possibly Joseph Bonomi

Verso

29 (in pencil) / Room for Sr Fletcher Norton Baronet at Wonersh

Watermark

D&CBLAUW and XD&CB within a cartouche

Notes

None of Adam's designs for Wonersh were executed. See scheme notes.

Literature

Bolton, 1922, Volume II, Index p. 31
King, 2001, Volume II, p. 181
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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